In this week’s episode, guest Lorena Alvarado discusses her article “Never Late: Unwelcome Desires and Diasporas in Chavela Vargas’ Last Works” which analyzes how the last two albums of musical performer Chavela Vargas, Cupaima (2006) and ¡Por mi Culpa! (2010), continue making aesthetic choices that de-form the classic repertoire of rancheras and boleros. These musical works represent a “late style” formulated by an older subject that refuses to retire quietly and with docility. Alvarado argues that the mix of beloved, familiar lyrics and melodies with sonic details that evoke the experiences of migrants and Indigenous communities result in an unexpected, repellent musicality that speaks to the contemporary struggles of those unwelcome, despised, and outside neo-liberal chronology.Continue reading “The Enduring Sentimiento of Chavela Vargas (with Lorena Alvarado)”
In this week’s episode, guest Laurena Bernabo discusses her article “Progressive Television, Translation, and Globalization: The Case of Glee in Latin America” which analyzes the behind-the-scenes production process to dub the TV show Glee into Spanish for Latin American audiences. Bernabo demonstrates how managerial choices, talent availability, and narrative particularities shape the creative decisions for a show’s dubbing. In the specific case of Glee, these creative decisions significantly impact the translation of the show’s attempts at representing various identities, such as gender, race, and sexuality. Bernabo argues for the importance of studying production processes and translated texts together to account for how ideologically rich representations circulate across linguistic and national contexts.Continue reading “Translating Television in Latin America (with Laurena Bernabo)”
In this week’s episode, guest Camilo Diaz Pino discusses his article “Weaponizing collective energy: Dragon Ball Z in the anti-neoliberal Chilean protest movement” which analyzes how the 2011 student-led protests in Chile borrowed icons from the popular anime show to foster a sense of collective struggle. The mobilization of the “genki dama” captured the need for solidarity among various protest groups as they fought the continued privatization of public services in the country. Diaz Pino argues that this case study illustrates the powerful influence of Japanese media in Latin America and the need to study transnational media flows that do not intersect with Anglo-American perspectives.Continue reading “Anime against Neoliberalism in Chile (with Camilo Diaz Pino)”
In this week’s episode, guest Bianka Ballina discusses her article “Juan of the Dead: Anxious Consumption and Zombie Cinema in Cuba,” which analyzes the complex material and ideological transformations in Cuban film over the past two decades. Ballina argues that Alejandro Brugués’s film Juan de los muertos offers an opportunity to explore the circulation of anxieties around global consumption within the island. While the film contributes to the continued reformulation of Cuban and genre cinemas, it also reproduces conservative ideologies about race, gender, and sexuality in Cuba.Continue reading “Zombies in Cuba (with Bianka Ballina)”
In this short episode, I recount the origins of the series and explain what I hope listeners take away from these conversations over the next three months.
This is a public humanities project in that it aims to connect scholars of global media studies, particularly those early in their careers, to an audience beyond the academy. The podcast series is intended as a teaching resource for those in higher education and as an introduction to these topics for anyone interested in how media shapes our understanding of the world.
Episode Transcript (opens as PDF)
00:50 The article on luxury movie theaters in India: “A Global Cinematic Experience: Cinépolis, Film Exhibition, and Luxury Branding”
00:53 The article on digital technologies used at airports: “The Datalogical Drug Mule”
00:57 The article on Netflix original series in Mexico: “Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico”