In this week’s episode, guest Ronak Kapadia discusses his article “Sonic Contagions: Bird Flu, Bandung, and the Queer Cartographies of MIA” which analyzes the work of Sri Lankan diasporic musician, producer, and designer Mathangi Maya Arulpragasam (a.k.a. MIA). MIA’s music offers an opportunity to explore the unlikely intimacies between the diverse histories and political agendas of social movements and radical uprisings across the globe. Kapadia argues that prioritizing the sonic realm in MIA’s work makes available alternative utopian possibilities, offering other ways of hearing and conceptualizing queer collectivity, belonging, and pleasure in the midst of the devastation wrought by security panics and constant warfare.
The Enduring Sentimiento of Chavela Vargas (with Lorena Alvarado)
In this week’s episode, guest Lorena Alvarado discusses her article “Never Late: Unwelcome Desires and Diasporas in Chavela Vargas’ Last Works” which analyzes how the last two albums of musical performer Chavela Vargas, Cupaima (2006) and ¡Por mi Culpa! (2010), continue making aesthetic choices that de-form the classic repertoire of rancheras and boleros. These musical works represent a “late style” formulated by an older subject that refuses to retire quietly and with docility. Alvarado argues that the mix of beloved, familiar lyrics and melodies with sonic details that evoke the experiences of migrants and Indigenous communities result in an unexpected, repellent musicality that speaks to the contemporary struggles of those unwelcome, despised, and outside neo-liberal chronology.