In this week’s episode, guest Bianka Ballina discusses her article “Juan of the Dead: Anxious Consumption and Zombie Cinema in Cuba,” which analyzes the complex material and ideological transformations in Cuban film over the past two decades. Ballina argues that Alejandro Brugués’s film Juan de los muertos offers an opportunity to explore the circulation of anxieties around global consumption within the island. While the film contributes to the continued reformulation of Cuban and genre cinemas, it also reproduces conservative ideologies about race, gender, and sexuality in Cuba.Continue reading “Zombies in Cuba (with Bianka Ballina)”
In this week’s episode, guest Michelle Cho discusses her article “Genre, Translation, and Transnational Cinema” which analyzes Kim Jee-woon’s Korean western film The Good, the Bad, the Weird as emblematic of both the transnational adaptation of popular genres and the international rise of South Korean cinema in the early 21st century. Cho proposes a theory of genre translation that does not require audiences to know all textual references in a film and that accounts for the embodied pleasures and therapeutic sensations of globally popular genres, such as westerns.Continue reading “How to Translate a Genre (with Michelle Cho)”
In this week’s episode, guest Karrmen Crey discusses her article “Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions” which analyzes post-secondary institutions and the intellectual traditions that shape how Indigenous filmmakers engage the politics and ethics of representation. By comparing two documentaries by Indigenous women, Navajo Talking Picture (Arlene Bowman 1986) and Cry Rock (Banchi Hanuse 2010), Crey argues that we must consider how Indigenous artists contend with sources of funding and formal tropes enmeshed in Western traditions when attempting to tell Indigenous stories in visual media.Continue reading “Indigenous Cinema in North America (with Karrmen Crey)”
In this short episode, I recount the origins of the series and explain what I hope listeners take away from these conversations over the next three months.
This is a public humanities project in that it aims to connect scholars of global media studies, particularly those early in their careers, to an audience beyond the academy. The podcast series is intended as a teaching resource for those in higher education and as an introduction to these topics for anyone interested in how media shapes our understanding of the world.
Episode Transcript (opens as PDF)
00:50 The article on luxury movie theaters in India: “A Global Cinematic Experience: Cinépolis, Film Exhibition, and Luxury Branding”
00:53 The article on digital technologies used at airports: “The Datalogical Drug Mule”
00:57 The article on Netflix original series in Mexico: “Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico”