In this week’s episode, guest Xiomara Cervantes-Gómez discusses her article “Where Blackness Dies: The Aesthetics of a Massacre and the Violence of Remembering,” which analyzes the digital altar created to commemorate the lives of 72 Central American migrants massacred in Mexico in 2010. Cervantes-Gómez builds on this analysis to interrogate the sensationalist depictions of migrant death, the affordances and limitations of digital media for attending to the divine, and, ultimately, the politics of blackness in the context of Mexico and the American continent.
Refugee Selfies and the Media of Migration (with Eszter Zimanyi)
In this week’s episode, guest Eszter Zimanyi discusses her article “Digital Transience: Emplacement and Authorship in Refugee Selfies” which analyzes “refugee selfies” collected from Instagram’s Explore Places map feature as an alternative viewpoint on the so-called 2015 European refugee crisis. Zimanyi argues that that refugee selfies are best conceived as a form of digital transience that provide the refugee with a sense of emplacement in a particular location along with an archive of their movement across locations. At the same time, these digital posts also prompt a disruptive affective charge that forces other viewers of the image to contend with the precarity of the refugee’s existence in any location.
The Enduring Sentimiento of Chavela Vargas (with Lorena Alvarado)
In this week’s episode, guest Lorena Alvarado discusses her article “Never Late: Unwelcome Desires and Diasporas in Chavela Vargas’ Last Works” which analyzes how the last two albums of musical performer Chavela Vargas, Cupaima (2006) and ¡Por mi Culpa! (2010), continue making aesthetic choices that de-form the classic repertoire of rancheras and boleros. These musical works represent a “late style” formulated by an older subject that refuses to retire quietly and with docility. Alvarado argues that the mix of beloved, familiar lyrics and melodies with sonic details that evoke the experiences of migrants and Indigenous communities result in an unexpected, repellent musicality that speaks to the contemporary struggles of those unwelcome, despised, and outside neo-liberal chronology.
Global Media Cultures Podcast 