The Weather after Fukushima (with Laura Beltz Imaoka)

In this week’s episode, guest Laura Beltz Imaoka discusses her chapter “Rain with a Chance of Radiation: Forecasting Local and Global Risk after Fukushima,” which traces the news coverage of the fallout of the 2011 Fukushima Daiichi nuclear disaster. Imaoka analyzes how the distinct organizations of the Japanese and U.S. news industries contributed to vastly different public perceptions of local risk and global atmospheric interconnections. She also notes an early moment when, in the absence of reliable data from official institutions, civilians turned to social media to obtain their information, often with disastrous effects.

“It really serves as a reminder to de-localize yourself from your space of information gathering…especially when unpacking a global event, you have to see that event through different lenses. And for students or researchers, it reflects on your own biases, it gives a fuller picture of that event and its repercussions.”

Episode Transcript (opens as PDF)

Show Notes

02:30 Esri, the largest global GIS company.

06:40 About the 2011 Fukushima Daiichi catastrophe

14:20 RadNet system of the Environmental Protection Agency

15:30 Japan’s Press Clubs overview

17:00 Speedi scandal in Japan

21:15 Premediation by Richard Grusin

26:00 misleading maps of the 2020 Australian bush fires

30:05 The Filter Bubble by Eli Pariser

33:15 Risk Society by Ulrich Beck

36:20 the Japan Disasters Digital Archive at the Reischauer Institute of Japanese Studies

About the Guest

Imaoka headshot

Laura Beltz Imaoka is an assistant professor of instruction and assistant dean of academic affairs for the School of the Arts, Technology, and Emerging Communication at the University of Texas at Dallas. She received her Ph.D. in Visual Studies from the University of California, Irvine, and her M.A. in Anthropology from California State University, Northridge. Her work has been published in the journals Communication, Culture and Critique; The Canadian Geographer; Environment and Planning A; and Media Fields Journal. Her research interests engage the areas of visual studies, film and media studies, and critical geography with a particular interest in the political economy of geospatial technology and the (geo)spatial imagination of disasters.

Digital Cartography and the Promise of Interactivity (with Jason Farman)

In this week’s episode, guest Jason Farman discusses his article “Mapping the Digital Empire: Google Earth and the Process of Postmodern Cartography” which analyzes how the political and social implications of cartography take on new significance in the digital age, with the proliferation of interactive maps and geographic information systems (GIS). Farman argues that, by incorporating a social network that engages users as embodied interactors rather than disembodied voyeurs, Google Earth is able to present user-generated content spatially within the very object that such content critiques.

…often the things that seem to be common sense are the most dangerous. When you find those moments where people say, “Well, this is just how it is,” then I think you can begin to see power being exercised in really profound ways. Maps are a part of this.

Episode Transcript (opens as PDF)

Show Notes

00:52 Delayed Response: The Art of Waiting from the Ancient to the Instant World by Jason Farman

00:54 Mobile Interface Theory by Jason Farman

09:37 the world’s first operational GIS: Canada Geographic Information System

12:11 Empire by Michael Hardt and Antonio Negri

17:50 “Situated Knowledges” by Donna Haraway

24:41 creating overlays in Google Earth

27:52 Animal Crossing suddenly allows swimming

29:31 Joseph DeLappe creatively misusing the game America’s Army

32:10 Tactical Media by Rita Raley

About the Guest

Jason Farman is a Professor at the University of Maryland, College Park where he is the Director of the Design Cultures & Creativity Program and a faculty member with the Human-Computer Interaction Lab. He is author of the books Delayed Response: The Art of Waiting from the Ancient to the Instant World and Mobile Interface Theory. He has also edited two books: The Mobile Story and Foundations of Mobile Media Studies. His work has been featured in The Atlantic, the Wall Street Journal, the New York Times, NPR, 99% Invisible, Atlas Obscura, ELLE Magazine, Brain Pickings, and others.

Welcome to the Global Media Cultures podcast!

In this short episode, I recount the origins of the series and explain what I hope listeners take away from these conversations over the next three months.

This is a public humanities project in that it aims to connect scholars of global media studies, particularly those early in their careers, to an audience beyond the academy. The podcast series is intended as a teaching resource for those in higher education and as an introduction to these topics for anyone interested in how media shapes our understanding of the world.

Episode Transcript (opens as PDF)

Show Notes

00:50 The article on luxury movie theaters in India: “A Global Cinematic Experience: CinĂ©polis, Film Exhibition, and Luxury Branding”

00:53 The article on digital technologies used at airports: “The Datalogical Drug Mule”

00:57 The article on Netflix original series in Mexico: Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico”