In this week’s episode, guest Karrmen Crey discusses her article “Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions” which analyzes post-secondary institutions and the intellectual traditions that shape how Indigenous filmmakers engage the politics and ethics of representation. By comparing two documentaries by Indigenous women, Navajo Talking Picture (Arlene Bowman 1986) and Cry Rock (Banchi Hanuse 2010), Crey argues that we must consider how Indigenous artists contend with sources of funding and formal tropes enmeshed in Western traditions when attempting to tell Indigenous stories in visual media.
Welcome to the Global Media Cultures podcast!
In this short episode, I recount the origins of the series and explain what I hope listeners take away from these conversations over the next three months.
This is a public humanities project in that it aims to connect scholars of global media studies, particularly those early in their careers, to an audience beyond the academy. The podcast series is intended as a teaching resource for those in higher education and as an introduction to these topics for anyone interested in how media shapes our understanding of the world.
Episode Transcript (opens as PDF)
Show Notes
00:50 The article on luxury movie theaters in India: “A Global Cinematic Experience: Cinépolis, Film Exhibition, and Luxury Branding”
00:53 The article on digital technologies used at airports: “The Datalogical Drug Mule”
00:57 The article on Netflix original series in Mexico: “Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico”
Global Media Cultures Podcast 